{"id":421,"date":"2011-04-27T15:35:39","date_gmt":"2011-04-27T22:35:39","guid":{"rendered":"http:\/\/glyphs.webfoot.com\/blog\/?p=421"},"modified":"2011-05-09T20:53:46","modified_gmt":"2011-05-10T03:53:46","slug":"assamese-1200-ad-india","status":"publish","type":"post","link":"http:\/\/glyphs.webfoot.com\/blog\/2011\/04\/27\/assamese-1200-ad-india\/","title":{"rendered":"Assamese &#8212; 1200 AD, India"},"content":{"rendered":"<div id=\"attachment_422\" style=\"width: 110px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/glyphs.webfoot.com\/blog\/wp-content\/uploads\/2011\/04\/assameseRa.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-422\" class=\"size-full wp-image-422\" title=\"assameseRa\" src=\"http:\/\/glyphs.webfoot.com\/blog\/wp-content\/uploads\/2011\/04\/assameseRa.png\" alt=\"\" width=\"100\" height=\"110\" \/><\/a><p id=\"caption-attachment-422\" class=\"wp-caption-text\">Assamese &quot;ra&quot;<\/p><\/div>\n<p>Assamese is interesting because it is so very close to <a href=\"http:\/\/glyphs.webfoot.com\/blog\/2011\/04\/22\/bengali-1100-ad-bangladesh\/\">Bengali<\/a> script.\u00a0 There are only two characters which are different.<\/p>\n<p>Frequently, writing systems differ by a few characters because a writing system was adapted for spoken language B from a writing system designed for spoken language A, and B had a few sounds that were not represented in B&#8217;s writing system.<\/p>\n<p>For one of the characters that is different between Bengali and Assamese, that appears to be the case.\u00a0 There is a Bengali glyph that represents both &#8220;wa&#8221; or &#8220;va&#8221; &#8212; which are not usefully different in spoken Bengali. In Assamese, the distinction is important, so they made a separate character.<\/p>\n<p>For the other character, it&#8217;s slightly trickier.\u00a0 The Bengali &#8220;ra&#8221; character looks like the &#8220;wa&#8221;\/&#8221;va&#8221; character, but with a dot just below and to the left of the &#8220;sail&#8221;, different from the character shown at the top of this post.\u00a0 The dot is a nukta, which is used in essentially all the Brahmi-derived languages to   transliterate foreign sounds.\u00a0 It is similar to the way that we use   italic script and the Japanese use <a href=\"http:\/\/glyphs.webfoot.com\/blog\/2011\/03\/05\/katakana-800-ad-japan\/\">Katakana<\/a> script to say, &#8220;Yo!\u00a0 This is from a different language!&#8221;<\/p>\n<p>Unlike italic and Katakana, the nukta operates on a phoneme basis   instead of a word basis.\u00a0 As an analogy, it would be as if instead of   writing &#8220;Johannes Bach&#8221;, I would write &#8220;Johannes Bak&#8221;, but with a dot under the &#8220;k&#8221;.<\/p>\n<p>Thus, the Bengali &#8220;ra&#8221; by its look, says &#8220;This is a foreign sound.\u00a0 It is different, it is not natural, it is not part of who we are&#8221;.\u00a0 Using it would be a constant reminder that the people who wrote the script considered the readers to be &#8220;others&#8221;.\u00a0 My Bengali-speaking sources tell me that &#8220;ra&#8221; is a common sound in Bengali, and not at all &#8220;foreign&#8221; sounding.<\/p>\n<p>Perhaps the Assamese were more sensitive to &#8220;foreign&#8221; influence; by making their own character without a nukta, they were perhaps claiming the sound as one of their own.<\/p>\n<p>Note that there are three characters in both Bengali and Assamese that transliterate as &#8220;ra&#8221;, and in Bengali and Assamese both, the glyphs for the other two forms of &#8220;ra&#8221; both have nuktas.<\/p>\n<p>Links: <a href=\"http:\/\/en.wikipedia.org\/wiki\/Assamese_script\">Wikipedia<\/a>, <a href=\"http:\/\/www.omniglot.com\/writing\/assamese.htm\">Omniglot<\/a>, Ancient Scripts<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Assamese is interesting because it is so very close to Bengali script.\u00a0 There are only two characters which are different. Frequently, writing systems differ by a few characters because a writing system was adapted for spoken language B from a &hellip; <a href=\"http:\/\/glyphs.webfoot.com\/blog\/2011\/04\/27\/assamese-1200-ad-india\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,25,28],"tags":[],"class_list":["post-421","post","type-post","status-publish","format-standard","hentry","category-abugida","category-national-pride","category-interesting"],"_links":{"self":[{"href":"http:\/\/glyphs.webfoot.com\/blog\/wp-json\/wp\/v2\/posts\/421","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/glyphs.webfoot.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/glyphs.webfoot.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/glyphs.webfoot.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/glyphs.webfoot.com\/blog\/wp-json\/wp\/v2\/comments?post=421"}],"version-history":[{"count":0,"href":"http:\/\/glyphs.webfoot.com\/blog\/wp-json\/wp\/v2\/posts\/421\/revisions"}],"wp:attachment":[{"href":"http:\/\/glyphs.webfoot.com\/blog\/wp-json\/wp\/v2\/media?parent=421"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/glyphs.webfoot.com\/blog\/wp-json\/wp\/v2\/categories?post=421"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/glyphs.webfoot.com\/blog\/wp-json\/wp\/v2\/tags?post=421"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}